I haven't had to do a full restoration on a Data East machine in a little while, so it was about time one came around. Enter Jurassic Park! This machine came from a customer who had this machine sitting in their garage. They had just moved house and wanted the machine brought back into playing condition so they could play it in their new house. As expected, the Jurassic Park was much older than the house, and was also in much poorer condition. The game did start up and enter attract mode, but a lot of playfield features did not work and a lot of parts were broken. This was going to be a full-on restoration, and I wanted to add a few little touches to really bring the machine back to its former glory. ​So, if this pinball machine was 65 million years in the making, then I was in it for the long haul with this restoration.

Last Action Hero (Data East, 1993) came to me as a restoration project for a customer who had had the machine for some time but was moving it to a new location. He wanted it to be fully working so he could set it up in his factory. The machine was relatively functional, but had a few issues that required extensive repair. I have a soft spot for Data East machines, so I was keen to take this one on and see how a full restoration would make it pop like new again.

Up until this point I had spent almost all of my time restoring Bally and Williams games. I was comfortable enough with doing plenty of repairs on those machines, but I was keen to get some more experience working on a game from a different manufacturer. Enter Tee'd Off (Gottlieb, 1993). Gottlieb was one of the major manufacturers during the 1990s so I figured that this machine would be a good point of reference for future Gottlieb DMD game restorations.  It would also be interesting to study the differences between how Gottlieb had done things and what I had become so accustomed to over the last several years. However, the greatest challenge with this Tee'd Off was definitely going to be the playfield repair work. There was a lot of wear on this playfield which had worn the playfield artwork away to the point that the playfield wood was showing. So, this was a good opportunity for Fiona to put her painting skills to use as well.

Time to lay down the law! Judge Dredd was the last Bally/Williams machine I had left to restore of my original road trip haul. I had left it to last mainly because the look of all the ramps criss-crossing the playfield, the idea of having to fiddle with the Deadworld, and the sheer size and weight of the damn thing all told me that this would be a painful restoration. Just looking at it and comparing it to Demolition Man (Williams, 1994), my only other widebody game, the Judge Dredd playfield was packed with more features and more mechanisms, which meant more to clean and more to service. But, as always, I was up for the challenge!