Ever since she first saw it, Tales of the Arabian Nights (Williams, 1997) has been Fiona's favourite game. She loves the artwork, the colours, the sounds, and everything else about this game. And I don't blame her. It really is a beautiful game, and really gives you that feeling of being in a "world under glass" when you're playing it. I think Tales of the Arabian Nights has the best unlicensed music of any pinball machine ever made. The end-of-ball bonus music tune is one of my favourites - featuring what I assume is a qanun playing from higher to lower notes as the lamp bonus is counted down - it almost makes me want to lose my ball just so I can hear it!

So, when the opportunity to restore one of these games presented itself, we jumped at the chance! Unfortunately, by the time we finished the restoration, the game had almost killed us, but it was worth it for the chance to bring this beauty back to playing like new.

Christmas sure was a good time for pinball repairs! Several weeks ago, a customer advised me that their Elvira and the Party Monsters (Williams, 1989) was no longer working. They had had the game for a long time and it had always played without issue. However, they did note that sometimes it would take several flicks of the power switch for the game to turn on properly. Now, it would not turn on at all. No lights, no sounds; nothing! When they opened the backbox to inspect the game, they found a lot of green electrolyte from badly leaking batteries on the MPU board. Uh oh! This was likely the source of their problems, so they brought the MPU board in to me for repair.

Let's finish off the year by repairing a classic Bally game! But first, I've got to be honest. I've never been much of a fan of late 70s/early 80s Bally games. I generally find the blips and tunes of the early sound boards grating, which makes them hard to play for any length of time. Some say it adds to the nostalgia, but having no nostalgic connection to these games, I can safely say I prefer the sounds of traditional chimes or modern digital stereo. That said, Bally games are classics in terms of gameplay and artwork, so it was a pleasure to get to work on this one for a customer: Six Million Dollar Man (Bally, 1978). This machine had not been working ever since the customer got it from a relative, and they wanted it up and running for their 60th birthday party in a few weeks. We were on a deadline, and there was lots to do!

Well, it seems like I am a sucker for punishment. A couple of weeks ago, Fiona and I attended Nerd Con and brought three pinball machines for the public to play. We loved sharing our hobby with the public, so we decided to do it again! This time, we headed to Collector Con, an annual collector's convention with memorabilia, pop culture collectables, comics and games, and all sorts of other toys. This convention was in Leumeah, so not too far away from us, and another great opportunity to introduce pinball to the masses. Bringing three pinball machines to Nerd Con was difficult with just one ute and having to make several trips to and fro. So, this time we only brought two machines: Fish Tales (Williams,1992) and Demolition Man (Williams, 1994).

Yesterday, Campbelltown Council hosted Nerd Con for the first time, a small pop culture expo featuring cosplay, games, workshops, and plenty of stalls. I thought this would be a good opportunity to spread the pinball gospel, so Fiona and I decided to bring three machines to the event for the public to play: The Getaway (Williams, 1992), Fish Tales (Williams, 1992) and Tee'd Off (Gottlieb, 1993).